Film Review: “Dogman” Is Best When It Barks

Film poster: “Dogman”

Dogman (Matteo Garrone, 2018) 2½ out of 4 stars.

The best part of Matteo Garrone’s Dogman are the moments of pure behavioral acting, especially in the scenes between actor Marcello Fonte (L’intrusa) and his canine charges. Fonte plays the eponymous Marcello, a slight wisp of a man who has found his vocation, after years of forbearance among bullies, as a dog groomer and boarder. He is in his perfect element among them, and Fonte seems to be, as well, from the opening shot where he calms a snarling pit bull in a bath to his gentle handling of the smallest breeds. As a character study, Dogman has many fine moments, director Matteo Garrone (Gomorrah) displaying an astute sense of nuance in human and animal, alike.

Unfortunately, the story is not always up to the mise-en-scène, though it starts out well. Marcello, who moonlights as a cocaine dealer, runs into trouble after his hulking (and coke-addicted) friend Simoncino (Edoardo Pesce, God Willing), forces him to cooperate in a messy heist, the evidence from which points clearly to Marcello. The consequences thereof force Marcello to act, lest he lose everything, including the daughter he loves even more than his dogs. So far, so good, but the resultant violent conclusion strains disbelief; it’s also very unsatisfying after all the great set-up.

Marcello Fonte and friend in DOGMAN ©Magnolia Pictures

Still, there is much to appreciate here, and the whole is beautifully shot in and around the coastal regions near Rome and Naples. It may ultimately end with a whimper, rather than a growl, but the marvelous Fonte holds our attention, throughout. He invests Dogman with an emotional vibrancy that buoys it past the weaknesses of script. See it for him, the pups, and the gorgeous cinematography.

In Italian with English subtitles

Share

About chrisreedfilm

Christopher Llewellyn Reed is a film critic, filmmaker, and educator. A member of the Washington DC Area Film Critics Association (WAFCA) and a Rotten Tomatoes-approved film critic, he is lead film critic at hammertonail.com, an online magazine devoted to independent cinema; a regular film critic here at filmfestivaltoday.com; the host of Dragon Digital Media’s award-winning "Reel Talk with Christopher Llewellyn Reed"; a film commentator for the "Roughly Speaking” podcast with Dan Rodricks at "The Baltimore Sun"; and the author of "Film Editing: Theory and Practice." In addition, he is one of three co-creators, along with Summre Garber of Slamdance and Bart Weiss of Dallas VideoFest, of "The Fog of Truth" (fogoftruth.com) – available on iTunes, SoundCloud and Stitcher – a podcast devoted to documentary cinema.
This entry was posted in Christopher Llewellyn Reed, Featured Specialty, Film Reviews and tagged , , , , , , . Bookmark the permalink.

Leave a Reply

Your email address will not be published. Required fields are marked *

* Copy This Password *

* Type Or Paste Password Here *

*