Author Archives: chrisreedfilm

About chrisreedfilm

Christopher Llewellyn Reed is a film critic, filmmaker, and educator. He is the lead film critic at hammertonail.com, an online magazine devoted to independent cinema; a regular film critic at filmfestivaltoday.com; the host of Dragon Digital Media’s award-winning "Reel Talk with Christopher Llewellyn Reed"; a regular film commentator for the "Roughly Speaking” podcast with Dan Rodricks at "The Baltimore Sun"; an occasional writer for the magazine bmoreart.com; and the author of "Film Editing: Theory and Practice." In addition, starting in January, 2018, he is one of three co-creators, along with Summre Garber of Slamdance and Bart Weiss of Dallas VideoFest, of "The Fog of Truth" (fogoftruth.com) – available on iTunes, SoundCloud and Stitcher – a podcast devoted to documentary cinema.

Film Review: The Lost Treasures of “Jurassic World: Fallen Kingdom” Will Not Soon Be Found

Jurassic World: Fallen Kingdom (J.A. Bayona, 2018) 1 out of 4 stars. Jurassic World: Fallen Kingdom is the kind of mindless summer blockbuster-wannabe that rewards only the most basic of our adrenal needs. If one thinks about the plot for … Continue reading

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Film Review: “Incredibles 2” Is Pretty Super

Incredibles 2 (Brad Bird, 2018) 3 out of 4 stars.  14 years ago – 2 years before it was bought up by Walt Disney – Pixar released The Incredibles, a mostly enjoyable and clever animated superhero family dramedy about a … Continue reading

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Film Review: “SuperFly” Is Missing a Space in Its Title and I Don’t Know Why

SuperFly (Director X., 2018) 1½ out of 4 stars. The 1970s saw a wave of films about urban life, starring African-Americans, dubbed “blaxploitation” movies. Some of them were better than others, though many trafficked in stereotypes about black Americans that … Continue reading

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Film Review: Shoot Down “The Seagull” to End Its Misery

The Seagull (Michael Mayer, 2018) 1 out of 4 stars. To be fair to director Michael Mayer (Flicka) and his troupe of actors, I have never been a fan of the original 1896 play The Seagull. The deeply talented Russian … Continue reading

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Film Review: “Ocean’s 8” Washes Away Series Fatigue with New Wave of Talent

Ocean’s 8 (Gary Ross, 2018) 3 out of 4 stars. I love a good heist movie, even though I’d never commit the acts portrayed, myself. In Ocean’s 8, a companion (of sorts) to the previous three “Ocean’s” films – Ocean’s … Continue reading

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Film Review: “Upgrade” Delivers Power and Pizzazz, However Silly

Upgrade (Leigh Whannell, 2018) 3 out of 4 stars. All upgrades should dazzle. What’s the point, otherwise, right? Not that they always do. however; so many are novel in name only, offering only more of the same at a different … Continue reading

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Film Review: In Powerful “Summer 1993,” a Child Overcomes Trauma

Summer 1993 (“Estiu 1993”) (Carla Simón, 2017) 4 out of 4 stars. A heartbreaking coming-of-age tale about a 6-year-old girl adjusting to a new life with a new family, Summer 1993 showcases remarkable, naturalistic performances from its ensemble of actors … Continue reading

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Film Review: “Solo: A Star Wars Story” Delivers Serviceable Goods

Solo: A Star Wars Story (Ron Howard, 2018) 3 out of 4 stars. What does it say about Solo: A Star Wars Story that the most interesting character in the film is one with no previous connection to the series? … Continue reading

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Film Review: In “Bye Bye Germany,” Jewish Holocaust Survivors Have the Last Laugh

Bye Bye Germany (Sam Garbarski, 2018)  3½ out of 4 stars. First, a few words about German actor Moritz Bleibtreu. Ever since I first saw him in Tom Tykwer’s 1998 Run Lola Run (in which he played Lola’s boyfriend, Manni), … Continue reading

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Film Review: “Book Club” Makes a Very Light Read

Book Club (Bill Holderman, 2018)  2 out of 4 stars. A harmless-enough film featuring a cast of appealing sexa-, septua-  and octogenarians, Book Club might appeal to anyone looking for a reprieve from the endless cycle of Marvel films and … Continue reading

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